The
passion, the heroism, and the artistry that lurk beneath the cold
capitalist exterior of Didier Drogba exemplify how football, despite
being a money-obsessed global industry, is way above the evils that
bubble on the surface.
Didier Drogba, earning
grotesque quantities of money for kicking a ball, appears to many as
the ideal symbol of capitalist greed and inequality: the perfect
emblem of everything grossly askew in football.
I would like to posit
that football is still an egalitarian sport built on fraternity, with
an enormous scope for social change. Once on the pitch, corporate
domination is obliterated, and the raw socialist art of football
becomes the only concern. The white lines of a football pitch
represent the severance between the greed and inequality of modern
capitalism and the socialist utopia of football.
Teamwork. Unity.
Passion. Courage. Equality. These are the attributes on display in a
football match. Adored by billions of people, all united in shared
adoration of technical artistry and selfless teamwork, football
remains the socialist art form that represents the antithesis, the
saviour, of the alienation and disillusion that saturates 21st
century capitalist society.
These positive
attributes of sport are disregarded by many, with football given a
bad name by the large majority of the public. The passion, the
heroism, and the artistry that lurk beneath the cold capitalist
exterior of Didier Drogba exemplify how football, despite being a
money-obsessed global industry, is way above the evils that bubble on
the surface.
Admittedly monetary
obsession and corporate ownership plagues the modern day spectacle,
threatening to consume its anti-elitist philosophical foundations,
but football remains a sport with the potential to revolutionise
society's values. It defies prejudice and champions the immense
capabilities of our species, technically and mentally. It saturates
billions of people with socialist values, moulding generations into
admirers of togetherness, by uniting them in the timeless and
spontaneous pleasures of sport.
Drogba as icon
Despite receiving a
significant animosity for his sporting persona, Africa's icon Didier
Drogba perfectly symbolises this beauty, both socially and
artistically.
If football unites
communities, and offers a glimpse of absolute fraternity and
ubiquitous passion, then the image of Drogba presents the acme of
this experience: his omnipotence in sub-Saharan Africa closely
resemble a religious phenomenon.
Streets across the
continent are littered with Drogba shirts. Beers are named after him;
dance moves are created in his honour: Drogba truly represents the
ultimate symbol of African pride and togetherness. The unified mass
of poverty-stricken people, taking immense pride and personal joy in
the nation's or continent's sporting success, essentially concentrate
this devotion into
their idol. He is
football.
The image of Nike and
Adidas logos plastered onto 'Drogba 10' Chelsea shirts, as football
fans unite in a shared yet unconscious interest in corporate branding
shows, for some, that football is the ultimate capitalist venture:
the opiate of the masses. Some critics argue that the monetary greed
and competitive edge of modern sport, as Pepsi, Coca-Cola and
McDonald's seep their way into the core of the industry, mimics the
capitalist dream, consuming and absorbing the population in their
leisure time, as we yield to consumerist greed under the pretence of
an anti-establishment pastime. I cannot accept this theory.
Football may be facing
this capitalist threat, but unlike many areas of life, sport is not
dependent upon it. Corporate saturation is dissolving artistic merit
across our entire civilisation, seeping into every element of modern
culture and leaving nothing but wealth disparity and an impending
sense of post-modern despair.
But our fascination is
preoccupied with artistic grace: a subtle blend of ferocity and
elegance that, like all art, strikes a chord somewhere deep within
the human body and produces an emotion somewhat akin to religious
experience. The masochistic intentions of corporate domination can
consume the elements that surround the football pitch, but it cannot
touch the art itself, and it cannot destruct the egalitarian
fraternity of sport.
Children in abject
poverty may be adorning Nike shirts, but the logo is not what unites
them: it is football, and in this instance, it is Didier Drogba.
Drogba as
socio-political figure
Football's potential
for communion and democracy is exhibited most prominently by Drogba
in his role in the Ivorian civil conflict in 2005, as an attempted
coup divided the country in a bloody struggle between Muslims and
Christians, immigrants and natives.
Football is the
life-blood of Ivorians, and watching Ivory Coast perform with a mix
of Muslims and Christians was an incredible sight to witness.
Throughout the conflict, the national team were victorious on the
international stage, qualifying for their first ever World Cup; they
were a united front, a beacon of hope amidst the chaos of war,
showing the potential for civil peace and cooperation.
Drogba remembers the
period with pride: “in the national team, we are all brothers.
After the game people would call and say 'we are so happy, everyone
was in the street dancing'. And
we'd say, 'There's war in Ivory Coast, but people are outside when we
win? Is football that powerful? Wow.'”
Immediately after victory over
Sudan sealed their qualification for the World Cup, Drogba called his
team-mates and the media to gather around him for an impromptu
national address.
"Ivorians, men and women,
from the north and the south, the center and the west, you've seen
this. We've proved to you that the people of Ivory Coast can live
together side by side, play together toward the same goal: qualifying
for the World Cup. We promised you this would bring the people
together. Now we're asking you to make this a reality. Put down your
weapons, organize the elections and things will get better. Please,
let's all kneel."
In a moment of immense
significance and national pride, in their finest hour amidst
delirious celebration, the Ivory Coast national team dropped to their
knees. The rest of the nation quickly followed suit.
It would be dangerous
to attempt to quantify the political implications of this
overwhelming gesture from the cooperative of Muslims and Christians
that had achieved such glory. But Drogba's speech was replayed
hundreds of times in the following months, as tensions palpably eased
throughout the country.
Two years later, after
tensions had flared once more, Drogba requested an international
match be moved to Bouake, the rebel stronghold. Before the game, the
Ivorian presented the rebel leader with a pair of boots donned with
the slogan 'together for peace'. Once again, the gesture had
significant implications: 'when Drogba speaks, people listen', as
Kalou once said of the man. After a 5-0 victory in which Drogba
scored the fifth, one newspaper ran the headline: 'five goals erase
five years of war'.
He has spent $4.4
million on a hospital in his home town, has recently become a UN
goodwill ambassador, and advertises local products across his home
town. His charity work has only increased his popularity amongst a
nation that reveres him as the instigator of piece, and a truly
inspirational political figure.
Drogba's footballing
skills
What has given Drogba
this unprecedented political power? How does he command such
reverence from the public? The answer is the sheer brilliance of the
enigmatic art he creates on the football pitch, the stage on which he
performs awe-inspiring feats of technical skill and terrifying
physical strength.
Didier Drogba is one of
the most compelling sportsman a spectator can witness live. His
technical artistry is not unique (although remarkably high), and
there are several players with more refined skill and dexterity than
the Ivorian striker. But a fan with astute awareness of the game will
find more to marvel at in him than in most other players.
What makes Drogba a
remarkable athlete is his truly monstrous raw power and explosive
strength. It is so alarmingly brutal, yet compelling to the point of
sublime, we can only marvel at how such an incredible feat is
achieved.
Watching a thunderous
shot rip through the air, reducing world-class athletes to helpless
spectators simply incapable of restraining the immensity of his
talent, is sometimes closer to witnessing a divine
experience than a football goal.
His effortless physical
strength, when exhibited on the pitch, morphs Drogba into a titan
capable of an inhumanly subtle blend of brute force and technical
grace: it is no wonder he is revered as a god-like figure. If Drogba
represents the pinnacle of football's capacity for social change, it
is equalled only by the incomparable sublimity of his game play.
This is why we watch
the sport. For the tremendous displays of artistic beauty, that
transcend the expected limits of human capacity and present a raw
example of the mathematical sublime. For the unique experience of
watching something that sends adrenaline shooting through the heart,
that punches the stomach with an almost religious feeling of
trepidation and admiration.
No player gives the art
of football a better name than Didier Drogba.
Drogba's mental
attributes
The psychological
aspect of sport is equally important to the technical; this we are
all aware of. In fact, the psychological strains exerted upon the
sportsman is more interesting, since it requires more passion than
simply refining technical attributes. If watching sport is
celebrating the potential for beauty in the physical acts of the
human race, then our interest in the psychological strength required
to compete is championing the beauty of the human mind.
Performing under the
colossal weight of expectation that accompanies any top-level
sportsman is impressive enough, but the strength, courage, and
determination that it takes to step forward and lift your performance
levels when everyone else around you is slowly falling to their
knees, takes a confidence and mental strength of truly heroic
proportions.
Didier Drogba is a big
game player. He has scored 9 goals in 10 finals in a Chelsea shirt.
His record when expectations are raised, when pressure is increased,
when an indescribable level of emotional and financial weight is laid
upon a single match, is unbelievable.
His goal in the
Champions League final was truly the acme of psychological strength.
When the determination and will of your surrounding team-mates has
been dampened, it takes an inhuman courage, determination –
arrogance, even - to be able to remain composed and confident enough
to claw your side back into a game. The pressures that come with
taking the final penalty in a shoot-out need no explanation.
Supporters will
hero-worship Drogba for that goal. Nobody, regardless of emotional
ties or their interest in sport, should criticise them for this. What
Drogba achieves on the football pitch, in inspirational moments such
as the one in Munich, requires an outstanding mental and physical
strength: it is, in short, an heroic display of what our remarkable
species is capable of at its peak. The feats of sportsmen are
achievements of the human race as a whole, and they deserve to be
celebrated.
Didier Drogba's social
and political presence symbolises the beautiful and powerful
potential of football to instigate change. His technical ability
symbolises the sublime, awe-inspiring beauty of football, validating
its worth as an invaluable art-form. His inhuman mental courage and
insatiable determination symbolise the magnificence of the human
will.
He is the perfect
sportsman, and the perfect icon for football's artistry and potential
for social change.